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Akutstik
und Planung:
Studio Bauton, Los Angeles,
Kalifornien
Mischpult:
SSL
4048 G+ Plus,
SSL-Studio
Computer mit Total Recall;
24
Kanal mit E-EQ-series; 24 Kanal
mit G-EQ-series
Mehrspur-Maschinen:
2 Studer A 820 –24 mit Dolby SR
(44 Kanal); 1 Studer TLS-400
Synchronizer (48trk); 2 ADAT XT
16bit, 16 Channels
Monitoring:
BSS-FDS-360 2x Chameleon-
Dynaudio; Acustics M-3-
2-Weg aktiv;
Peavey M2600-Yamaha NS 10
Crown D75A-Auratone
Mastermaschinen:
2 Studer DAT Series D 780;
1 Fostex D25 (SMPTE);
1 Studer A812; Computer
Mastering System (MAC) |
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Harddisc-Recording:
2 MOTU 2408
MK2-Harddisc-
Recording-System (total
24
channels in/out), anlog und
digi-
tal;
MOTU 308 Expansion Unit
(Erweiterung um 48 channels-
8
channels TOS-link,
8 channels
RCA S/PDIF,
8 channels
AS/EBU);
Midi-Interface
Unitor
8 MKII
(emagic) – Midi Ports 8x
I/O, je 16 channels;
3 SWISSO-
NIC Analog-Digitalwandler (24
channels); 6 SWISSONIC Digital-
Analogwandler (48 channels);
MAC
G4-Computer (Notator
Logic / Cubase),
800
MHz Dual
Prozessor,
1,0
GB RAM, Raid-
System, MAC
G4-Computer
(Notator Logic / Cubase) 400 MHz,
512 MB RAM;
Various
PlugIns,
OnStream-Backup-System;
Hallgeräte:
1 Lexicon 480
L 1 EMT 246;
1 EMT 256; 1
AMT RMX-16;
1 Klark Technik DN 780;
1 Lexicon PCM 70; 1 Lexicon LXP
15; 1 Roland SRV 2000; 2 Yamaha
Rev 7;
1 Yamaha SPX
90;
1 Quantec QRS |
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Zusatzgeräte:
1
Lexicon Super Prime Time;
1 Roland SDE 3000; 2 Korg SDD
3000; 1 Eventide H 3000; 1 Höfex
Exciter; 1 AMS DM 2-20 Phaser;
1 BSS DPR 402; 1 Urei 1178
Stereo, 1 Alphex Compellor,
1 Tube Tech Programm EQ PE-
1B, 1 Drawmer 1960
Compressor; 1 Roland SDR 2500;
1 Rebis Gates RA 701 Stereo,
1 Neve V-Rack mit 3 Equalizer
Modulen und 3 Compressor-
modulen; 1 Focusrite Rack mit
2xISA 130 + 2 ISA 110; 1 Aphex
Dominator II; 1 Revox A725 CD-
Player; 1 Finalizer T.C. Electronic;
1 Aphex Aural Exciter Typ B;
2 Klark-Technik DN 27 graphic
equalizer; 2 UREI Mod. 1176 LN;
4 Psionics NG 4 quad noise gate |
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